CREATIVE WRITER
POET, SINGER & SONGWRITER OF “ELEGANT FOLK” MUSIC
Recognized as the two-time “Songwriter of the Year” by the Portland Songwriters Association and “Best Male Artist” at the Portland Music Awards, I have spent the last 15 years as a singer-songwriter of “Elegant Folk” music — lyric-first songwriting with a rustic, yet classic edge.
On the national stage, I was hand-picked by legendary producer Don Was as a Top 10 Finalist in Guitar Center’s American Songwriter search, as well as, hand-selected by Adam Duritz of Counting Crows and music critic Ryan Spaulding, to perform at their Outlaw Roadshow showcases at SxSW and NYC. In my years I have opened for LeAnn Rimes, Chris Isaak, John Popper, Marc Cohn, Matisyahu and my music can be heard on SiriusXM’s “The Coffee House” station, multiple Chevrolet commercials and several popular television series. As a multi-song finalist in the International Songwriting Competition (ISC), my writing stands as proof that I’m not just another “guy and his guitar” — my foundational belief that “lyric is king” has long set me apart as a true artist.
“WE GROW” (w/ LYRICS)
14 METAPHORS FOR GROWTH, ALL RESTRICTED BY SAME RHYME SCHEME
As heard on national Chevy Volt commercial
Upon releasing a new album (with a notable dose of newfound artistic maturity), a fan informed me of their displeasure with my latest creation. They simply didn’t appreciate the stylistic change and pleaded that I return to my former self. In response, I wrote them this song.
We Grow is an observation of the cycle of life, citing that change is not only natural, but vital.
So, in order to own my progression as an artist, I assigned myself the challenge of communicating the concept of growth in as many ways as possible — but all under the restrictions of the same rigid rhyme scheme. After much musical problem solving, 14 metaphors were penned.
“BABYSITTING THE COWBOY” (w/ LYRICS)
DESCRIPTIVE STORY ABOUT A CHILDHOOD DAYDREAM
When given the assignment to write descriptively about a childhood memory, my mind immediately traveled to the backyard of my babysitter’s house. Though I couldn’t have been older than five at the time, I have a vivid recollection of a younger Me and my sweet summer romance with a broken-down riding lawn mower. You see, to me, it wasn’t useless at all — in my mind, I was a grown cowboy and it was my lot in life to turn the earth, corral the cattle and feed hungry mouths.
If I’m allowed to hang my hat on one song — one creation in my life — let it be this. A nostalgic story about a Wyoming boy, lost in a daydream.
“AS THE CROW FLIES” (w/ LYRICS)
LOVE SONG FOR THE PERSON, PLACE OR THING ONE DEFINES AS HOME
After six weeks on the American road, I found myself touching down in Europe for yet another two weeks away from home. It was on the beach of Barcelona where the emptiness was the thickest. Peering into the Mediterranean and pining for the comforts of familiarity, I first imagined this bittersweet sentiment — a love song for Portland, or whatever person, place or thing another might define as Home.
MANIFESTO: SOME DAYS I’M A LION
MANIFESTO, MANTRA, MISSION STATEMENT and BRAND SUMMARY
Some Days I’m a Lion was a musical project created with the intention of motivation. This manifesto aimed to empathetically summarize this noble intent, while subtly prefacing the contents.
“Above all else, this is a hopeful record about self-belief. Inspired by some of the darker days within my musical endeavor, these songs are in direct response to a time when I felt like a very foolish fish inside a starving sea. Fortunately, it was in this hour of doubt that I found a Lion in my heart and penned this album under the flame of that new banner; despite the hitting hammers, The Arsonists, the ever blowing wind and the Devil’s knocking at our doors, know this, WE ARE LIONS.”
MANIFESTO: NEW NORTHBOUND
MANIFESTO, MANTRA, MISSION STATEMENT and BRAND SUMMARY
New Northbound was a musical project created to celebrate my contentment with life in the middle. This manifesto aimed to holistically summarize the inspiration for the project, while subtly prefacing the contents.
“Something remarkable happens when bright love circles and settles down beside you; that spinning compass now knows a new Promised Land. That journey is no longer aimlessly upward, but now steadily inward. To the safely laid nest between the street and the stars. To the stormless sky where less is more. Away from the wandering wilderness and a perfect line toward what matters most — that comfortable middle where there is only evermore proof that the comet was worth the wait and the middle is the New Northbound.”
HASHTAGS:
BRAND, MESSAGE, COMMUNITY and SOCIAL STRATEGY
#ElegantFolk
In double entendre, the same phrase used to brand my style of music is also used to label the community of fan supporters.
#TylerOnTour
For myself and fans alike, this memorable alliteration helps to document and bring awareness to single shows and/or full tours.
#LyricIsKing
A point of pride and differentiation within my craft, this sub-brand draws attention to the fact that my songwriting is lyric-first and foremost.
MORE LYRICS
Ramblin' Kind
TYLER STENSON © 2013 — ASCAP
Ain’t it like the wind to never want to stay;
Something finally touches down
And all at once a gust comes and takes it away.
That old wind is here- then it’s gone.
That old wind is hell-bent on moving on.
So, let’s just say She knows how to go away;
How to keep from standing still
Just like a river, fast cars, birds and trains.
Let’s just say She’s sailing as we speak.
Let’s just say She’s fading by degrees.
Showing tell-tale signs that She’s alive,
Everybody is leaving something sometime.
Always leaving or being left behind,
We’re infamously all the Ramblin Kind.
Some would say I roam and that I’m made of stone
But they don’t know what I know–
I know once you’re in my heart, there is no getting out.
Some would say I’m planted in the ground.
Some would say I’m impossible to pin down.
Showing tell-tale signs that I’m alive,
Everybody is leaving something sometime.
Always leaving or being left behind,
We’re infamously all the Ramblin Kind.
It’s a lonely road I’m speaking of and
These are lonely lyrics rolling off of my tongue.
But there’s a tell-tale truth in between the lines:
Everybody is leaving something sometime.
Always leaving or being left behind,
We’re infamously all the Ramblin Kind.
Better Be Us All
TYLER STENSON © 2008 — ASCAP
An interesting man I know
Has the Music in his bones.
He writes the songs
But he can’t stand rock n’ roll.
His name is On His Right Hand
As he hides behind a wall
-Somebody’s gonna make it but you know it better be us all.
Older brother,
He’s the dreamer of some dreams-
He stretched out the gray and made it green.
I can see myself in him
(I’m just a little bit too small).
Somebody’s gonna make it but you know it better be us all.
Little brother,
You are not the only one-
Just don’t get burned in the Oklahoma sun.
You’re trying to get to heaven and
I’m just trying not to fall.
Somebody’s gonna make it but you know it better be us all.
I’m a music maker
Trying to make a dream
But getting there is as endless as it seems.
So, I’m gone to California
(Even if I have to crawl)
Because somebody’s gonna make it but you know it better be us all.
So, when I get to California,
I’ll be giving you a call
Because somebody’s gonna make it,
But you know it better be us all.
Fight til Dying Day
TYLER STENSON © 2010 — ASCAP
As long as there has been a song, I’ve felt it in my bones.
It was a gift from my dear mother and her father who passed on-
A long line of Music Makers and of soldiers for the Muse.
Oh, that boy in my war fell out of tune as he fell upon a couple grenades.
That boy in my war is still alive and he’ll fight til Dying Day.
I crossed into California with a smile upon my face
But then I soon left San Francisco with my tail between my legs.
I swear, I was good as I could be on any given time of day
Still, that boy in my war saw the beach burn and the earth quake like a grenade.
That boy in my war is still alive and he’ll fight til Dying Day.
He’ll blow like leaves in the wind
But be proud just to know that at least he can be his own man-
Not that boy.
I burned a bridge in the desert and left Arizona northbound
And thought: If it’s not in Salt Lake, is it Oregon where it’ll be found?
On certain nights all the notes were bright and on others they would fade
And that boy in my war called out to god: To Hell with all the grenades!
That boy in my war is still alive and he’ll fight til Dying Day.
He’ll blow like leaves in the wind
But be proud just to know that at least he can be his own man-
Not that boy.
Now, every time I sing, it’s just my confidences wearing thin
So I have to believe this lonely road would bring ’em back again.
I’m as good as I can be on every given time of day
And that boy in my war will no doubt rise in spite of a couple grenades.
That boy in my war is still alive and he’ll fight til Dying Day.
Leaves Blow By
TYLER STENSON © 2012 — ASCAP
Oh, give me a dime
For each year of my life
That lasted uncomfortably long
And I’ll be as poor as an orphan
That spent his life knowing
That there’s nowhere he really belongs.
Cause the world as it spins
Creates such a wind
That nothing is safe from the ride
You can stare at the face
Of the wind as it races
And causes the decades to die
But my, how they fly…
Leaves blow by.
Leaves blow by.
Oh, much like the years and the people inside,
The leaves blow by.
Now, stronger is Heart
Than a gun on the run—
That’s something I’ve learned like a Song
Because a bullet can kill
In an instant at will
But heartbreak is forever long.
So, hold on to love
Because leaves blow by.
Leaves blow by.
Just like the years and the lovers inside,
The leaves blow by.
And Heaven is a Moon
That is selfish as glue—-
It pulls on us just like the tide.
All you can do is hope
That it pulls on you slow
So you can make much of your time—-
Cause my how it flies.
Leaves blow by.
Leaves blow by.
Oh, much like the years and the people inside,
The leaves blow by.
Devil Came Knocking
TYLER STENSON © 2012 — ASCAP
The Devil came knocking at my door today
And tried to sell me something kind
But I had heard it all before
(And didn’t want to hurt no more)
So, I didn’t pay him no mind.
But he’s persistent as the beating of the heart in your chest
And he don’t stop until you’ve signed that dotted line.
So, when I looked him in the eye and said, “I’m not your guy,”
I saw the rage build in his eyes and his horns rise.
He snarled like a beast engulfed in misery
And I remained stone cold in the face
Because in a world as dark as this, I am unimpressed
With a lone devil and briefcase.
So, he came back with an army of his Broken Hearted
To try and strong arm me into the deal
But when you show up uninvited and bring with you the fight,
Oh, Devil, your problems just got real.
So, when the Devil came knocking at my door today
I think he thought he’d worn me thin
‘Til I invited him inside and delighted in his cries
As I showed him I’m darker man than him
And now he won’t come knocking again.
I Get No Sleep
TYLER STENSON © 2010 — ASCAP
I get no sleep,
Try as I might,
Because I don’t see no day
And there is sure as hell no night.
No, it’s somewhere in between
The Dawn’s haze and dream
And Nothing’s ever seem more real
Than this ceiling that I see.
I get no sleep with these trains inside my head.
As far as I can see, I’ve got tracks running down both sides.
What started as a steady hum
Became a war-time drum
And eventually north and southbound collide.
I get no sleep with these trains inside my head.
Then, history repeats
And the city never sleeps
And I can hear those trains
No matter how soft they creep.
Can you hear them world?
The wolves are at my door;
I’ve got nothing to my name
And still they ask for more.
I get no sleep with these trains inside my head.
As far as I can see, I’ve got tracks running down both sides.
What started as a steady hum
Became a war-time drum
And eventually north and southbound collide.
I get no sleep with these trains inside my head.
I get no sleep with these trains inside my head.
Best Laid Plans
TYLER STENSON © 2010 — ASCAP
Best laid plans fail
And wrong winds catch sails
But that don’t mean you lay down
And lose your boat to the treacherous sea.
No, you must believe:
That which might have been, can yet still be.
I’ve seen a beautiful sky turn gray
As I stood by watching weather change
But that don’t mean the Sun is long-gone
And all of our Hope should leave.
No, you must believe:
That which might have been, can yet still be.
Those best laid plans fail
And those wrong winds catch sails
But that don’t mean you lay down
And lose your boat to the treacherous sea.
No, you must believe:
That which might have been, can yet still be.
Lover Things
TYLER STENSON © 2012 — ASCAP
I think back to the Garden’s first days,
And the reason that a woman was made,
And believe it was an “up above” gesture to say:
So long Emptiness, hello Sweet Grace.
But it seems the words have changed
And all their meanings have faded away—
But, when I say, I love you,
I mean it the same way as it was made.
Cause you and I want nothing to do
With the constant bending that sorrow brings.
No, you and I want nothing to do
But lover things.
So, let’s forget about the failed love we see
And how the world is a brand new machine
That drags the lovers through the mud
And all other things that are so far from you and me.
Cause you and I want nothing to do
With the constant bending that sorrow brings.
No, you and I want nothing to do
But lover things.
Oh, it seems the words have changed
And all their meanings have faded away—
But, when I say, I love you,
I mean it the same way as it was made.
Cause you and I want nothing to do
With the constant bending that sorrow brings.
No, you and I want nothing to do
But lover things.
How Bright
TYLER STENSON © 2012 — ASCAP
I was there when this place
Dimmed darker than space
For the fear that no love could be found.
Then, I was there when this room
Lit up like the moon
The moment that you came around.
How bright the light you beam.
Then I watched as the clock
Never sped its tick-tock—
No, it told me the time was still night—
But I found that hard to believe,
For all I could see
Were some silhouettes up against the white.
How bright the light you beam.
Oh, it’s all I seem to see.
So let me circle around you slow
And let me bloom inside that life-giving light you glow.
Now, gone are the days
Of the dark shades of gray—
I watched them burn off
In the warm of your rays.
Now, I’m a man in a world—
I’m the closest planet to a girl
And mamma how you radiate.
How bright the light you beam.
Oh, it’s all I seem to see.
How bright the light you beam.
Give me more, please.
Let me circle around you slow
And should you burn out,
May I be the last alive to know.
My Love, My Love
TYLER STENSON © 2012 — ASCAP
My Love, My Love,
You’ve got me up against a wall
But, like a rodeo clown,
The blood and bruise are part of the call.
Some days I’m a Lion
And some days my spirits crawl
Across the floor, to you, who started it all…
My Love.
It’s a head game Honey.
It’s easy to believe that I’m a foolish fish
Inside a starving sea
That just might swallow me whole
(Or give me just what I need).
So, be kind to me My Heart—
My Muse—
My Queen—
My Love.
My Love,
Don’t count me out just yet
Cause my day will come.
God damn you siren!
You crawled into my bed
And if I walked away,
You would just do the same to my head—
And your pedal steel would haunt me
Like the Ghost of a Melody
That a deaf man misses most.
My Love, my love
Don’t count me out just yet
Cause my day will come—
This I know,
Because there’s a flower
Buried in my chest
That continues to grow.
My Love, my love
Don’t count me out just yet
Cause my day will come.
Head & Heart
TYLER STENSON © 2012 — ASCAP
Look at me walking this tightrope wire
And hovering above a red-hot coal fire,
Split down the middle with a definite seam—
Looking for a place where the Head and Heart agree.
Because lately, it seems I find no rest—
My Head is on my shoulders, but a mile from my chest
And my Heart pumps blood, but it just won’t bleed—
Always pining for a place where the Head and Heart agree.
Head and Heart oh please,
Could you finally make your peace?
Do me right oh please,
And take me to the place where the Head and Heart agree.
Oh, nothing hurts more than a one-man war;
Both sides would die, but who knows what for?
Killing in the name of a nameless greed—
Man, there’s gotta be a place where the Head and Heart agree.
Head and Heart oh please,
Could you finally make your peace?
Do me right oh please,
And take me to the place where the Head and Heart agree.
Gonna stick out my neck and let it be
A bridge to the place where the Head and Heart agree.